HUGH NICHOLSON
  • HUGH NICHOLSON
  • ____
  • THE NEW LIFE
  • The Man in the Woods
  • MARGINS
  • Private Entrances to Natural Spectacles
  • R.A.N.G.O. II
  • R.A.N.G.O.
  • Artist Statement
  • Turn the World Upsidedown
  • The Commune
  • REMIX
  • ____
  • Common Study
  • Information
  • HUGH NICHOLSON
  • ____
  • THE NEW LIFE
  • The Man in the Woods
  • MARGINS
  • Private Entrances to Natural Spectacles
  • R.A.N.G.O. II
  • R.A.N.G.O.
  • Artist Statement
  • Turn the World Upsidedown
  • The Commune
  • REMIX
  • ____
  • Common Study
  • Information
THE MAN IN THE WOODS

Three-channel video installation, dibond and aluminium
​(2018)
 
Three advertising art directors were commissioned to design a set for the first two scenes of the screenplay ‘The Man in the Woods’. In the screenplay, a city-worker named Milton enters a contemporary gallery, and encounters a work of art that prompts visions of uprisings and revolutions. He subsequently decides to abandon his job, driving off into the distant sunset. Rather than construct the sets, a structured interview was conducted with each art director, discussing the decision-making processes behind their respective outsourced designs.

The artwork’s title is taken from the 17th century epic poem ‘Paradise Lost’ by John Milton.

​With thanks to Steve Blundell, Max Lincoln, and Harriet Porter.
 
single-channel edit
screenplay

Picture
Picture
Picture
Picture
The Man in the Woods (video stills)
​Three-channel video installation
​(2018)
  • HUGH NICHOLSON
  • ____
  • THE NEW LIFE
  • The Man in the Woods
  • MARGINS
  • Private Entrances to Natural Spectacles
  • R.A.N.G.O. II
  • R.A.N.G.O.
  • Artist Statement
  • Turn the World Upsidedown
  • The Commune
  • REMIX
  • ____
  • Common Study
  • Information